Countdown: just one week to go

Still no plot on the horizon, but I have managed to come up with a small but interesting mystery to get the ball rolling, one that ought to see me through to chapter three before I need to make some rather tough, far reaching decisions.

Gooseberry’s narrative voice and his direct speech both need work if I am to keep them consistent for an entire novel. At the moment they seem to go wrong when I lose sight of my vision of him. I see Gooseberry as a spiky-haired, blond, bug-eyed fourteen-year-old wearing a jacket that’s a couple of sizes too big (there’s a reason for this). Though naturally bright, he’s had little formal education. Much of his vocabulary has come to him from his employer, Mr. Bruff. How does he handle situations where there’s conflict? As my prime investigator, he’s going to have to. I guess he must have dealt with such situations in his past, so I wonder what kinds of strategies he’s developed? Recently I’ve found myself wandering through my local supermarket pretending to be him, trying to feel how he moves and to see what he sees. If any of my fellow shoppers have noticed, they have tactfully refrained from commenting.

With regards to the characters I’ve inherited from Collins’s novel, I still can’t quite match Franklin Blake’s and Mr. Bruff’s speech patterns (which is a huge worry—I’m going to need to get my copy of The Moonstone out and study them both very carefully), but I reckon I’ve cracked Miss Rachel’s, Mrs. Merridew’s (the aunt that Rachel went to stay with in London), and (the fabulous and often inebriated family retainer) Gabriel Betteredge’s voices. Well, it’s a start.

So, one week to go and everything hangs in the balance. It’s scary, but it’s also oddly a real buzz.

Michael


Michael Gallagher’s Gooseberry is serialized in weekly installments every Friday from July 4th 2014 on Goodreads. Michael Gallagher is the author of The Bridge of Dead Things and The Scarab Heart, as well as the popular non-fiction title Why the Victorians Saw Ghosts.